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Then, I tweak the settings in Live Trace to simplify any small wiggles and imperfections. #BIRDFONT EXAMPLES HOW TO#So how to clean them up and make them nice and neat? Illustrator’s “Live Trace” Feature! I save the lettering file as a psd and open it in illustrator. You can see how rough they look even when drawing them this large: Then, I scanned ’em in at a nice, high resolution. ![]() Initially, I drew my letters by hand, as usual but I drawed them real big-like. Now that I had the thing, I started creating the font by using Photoshop, Illustrator and Birdfont. ![]() #BIRDFONT EXAMPLES FREE#You can get the free version, but for 5 bucks you can get upgrades and stuff…so I opted to blow 5 bucks. What I found after much research was Birdfont. So I went out looking for a good FREE font creating software. I’ve always lettered my cartoon work with a unique hand-drawn font and I’ve really become accustomed to it but, it’s a real pain and not near as fun as drawing the actual cartoon. I click Apply inside the Hershey Text dialog, and then I’m finished - I have an Inkscape file ready for export as an SVG to any other program! Or, I can print to my plotter directly from within Inkscape.…AND SAVE YOURSELF A CRAPLOAD OF WORK!…”what?” You say?Ĭreate a font to replace your hand-inked font that takes forever to do! Then, inside Name/Path I paste the Pathname I just copied. I choose “Other (given below)” in the Font face menu. Inside Inkscape, I select each text field and choose the Extensions menu → Axidraw Utilities → Hershey Text. Inside the Finder, I navigate to my svg font, right-click and hold option to copy its Pathname. In this example, the geometric pattern is rendered through my Preview font, which is 1000x1000, no sidebearings or descenders I launch Inkscape and lay out my text as I desire, using the Preview font to see my layout exactly as it will be rendered. This way, all I have to do is open up Sublime’s command Palette and run find SVG Paths and then Remove SVG Close Path.Īt this point, everything is ready to go. I have this setting active inside the RegReplace Settings: "selection_only": true,Īnd my commands for RegReplace look like this: [ I have a font with a lot of characters, so I make use of RegReplace to find and remove all instances of z (the path-closing command) inside the d attributes. Just remove any z characters inside the d attribute of each character: If you have a font with only a few characters it may be quicker to simply do this step manually and skip step 6. ![]() #BIRDFONT EXAMPLES FULL#The file is full of letter data in svg path format like this: svg font is once again full of closed paths-unusable for my purpose - but in a format that I know how to manipulate. I unchecked everything that would possibly modify or ‘fix’ my font. I choose File menu → Generate Fonts, Select “SVG Font,” and then click options. The only use I have for FontForge here is to export as an SVG font. #BIRDFONT EXAMPLES INSTALL#otf with the offset curve filter and install it on my system. svg-format (yes, the outdated and almost totally unused format) font, which will be used by Hershey Text in the final steps.Īfter I have created my font in Glyphs, I generate my Preview font as an. otf font that I can install directly on my system, and Monoline will be an. However, I make two instances: Monoline and Preview. I start with the Monoline workflow in the relevant Glyphs Tutorial glyphsappcom/tutorials/monoline). Sublime Text with the RegReplace (facelessuser.githubio/RegReplace/) plugin.So I thought I’d share my workflow in the hopes that others will find it useful. otfs without the paths being automatically closed (either by the renderer or by glyphs), and I do not have the programming knowledge to parse and modify. I could not figure out a way to generate. Setting all of the text inside the Glyphs Text preview was also unworkable, as I want to eventually be able to do things like layer text fields over one another. My intention to use this font to set large blocks of ‘text’ also meant that selecting and finding these anchors would be a chore. The most straightforward option - putting the closing anchor far outside the glyph boundary - didn’t appeal to me because it meant I couldn’t preview my work accurately in real time. I think that this approach may also help others with similar questions I was greatly helped in my search by other topics about single-stroke typefaces and CNC usage. After a good deal of research and experimentation, I’ve managed to come up with a workflow that I think is satisfactory. Hello all! I’m a hobbyist with an Axidraw plotter, looking to use fonts of my own creation for use with the plotter, both for lettering and rendering generative work. ![]()
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